Norway’s Amethyst Tiara

Via Wikimedia Commons.

Apologies for the radio silence. I moved to a new home; I moved across an ocean and am still getting settled in.

For now, please enjoy this lovely photograph of the inimitable Crown Princess of Norway, Mette-Marit. She is wearing Norway’s Amethyst Tiara with the matching earrings. The set was a gift from her mother-in-law, Queen Sonja. Queen Sonja received the set decades earlier as a gift from her husband, King Harald. The tiara is convertible. It can also be worn as a necklace.

I’ll be back soon…

Tiara Thursday: The Noor-ul-Ain Tiara

Via Wikimedia Commons.

Today’s diadem is a tiara without a royal!

One of the largest pink diamonds in the world is the Noor-ul-Ain diamond. It weighs around 60 carats (!!) and came from a mine in India. It was looted from India by a Persian king during the 18th century.

Fast forward a couple of centuries and Mr. Harry Winston enters the picture. He (or at least his jewelers) set the pink diamond in a tiara in 1958. The tiara boasts over 300 sparkling diamonds. As you can see from the picture above, the pink diamond is set in the center and is surrounded by pink, yellow and white diamonds; all set in platinum.

Via Wikimedia Commons.

Farah Diba wore it as her wedding tiara when she married the last Shah of Iran, Mohammed Reza Pahlavi, in 1959.

As you know, the Shah was overthrown in 1979. The family fled Iran and began a new life in exile. Most, if not all, of the crown jewels stayed behind. This tiara, and other imperial jewels, are housed in the Central Bank of Iran. 

Via Wikimedia Commons. The tiara in black and white.

The Shah died not long after going into exile. The last Empress of Iran divides her time between the USA and Paris. Her eldest son, the would-be shah, lives in Maryland, USA with his wife and daughters.

What do we think of this tiara? I think it was a perfect tiara for a young empress of a long ago empire. It’s probably for the best that it’s in a museum today. The tiara seems more museum-piece than headpiece. But that’s probably just me. 

Tiara Thursday

© Sotheby’s

We have a tiara bonanza. You get three for the price of one! Let’s take a look, shall we!

The first tiara on our list is this lovely turquoise and diamond tiara. It’s designed as five palmettes, each centered around a large cabochon turquoise and set in yellow gold. The tiara is embellished throughout with circular-cut and rose-cut diamonds. The best part about this tiara? It’s convertible and can be worn as several brooches. Made in 1830.

© Sotheby’s

Next up is this lovely diamond tiara. Until this tiara was sold by Sotheby’s, it belonged to an American “philanthropist.” The diamond tiara was probably made in France in the early 20th century. It’s set with old European, old mine and rose-cut diamonds in a foliate design. Lovely. I’d wear it.

© Sotheby’s

Last but not least is this intriguing mystery tiara. Actually the style reminds me a little of Crown Princess Margareta of Sweden’s Ruby Tiara. The tiara is set on a flexible band which can be detached to form a necklace. We don’t know where or when it was made, but we have a clue because it came in a fitted box stamped Collingwood & Co. I will gladly wear it as a necklace!

Which tiara is your favorite?

Tiara Thursday: A Mystery Tiara

© Victoria and Albert Museum

Today’s tiara is a mystery!

We don’t know who the maker is or who may have worn it. Though the Victoria and Albert Museum believes the tiara was made in England, circa 1850. We do know, however, that this tiara imitates the wreaths of silver corn-ears Queen Victoria’s attendants wore at her coronation in 1838. This makes it almost certain the tiara was made in England.

© Victoria and Albert Museum

The mystery tiara is in the form of a wreath and the brilliant and rose-cut diamonds and pearls are set in silver and gold.

© Victoria and Albert Museum. A close up.

The tiara is very beautiful, almost like a work of art. I love pearls and diamonds together. But I don’t know how wearable this tiara might be; it just doesn’t look comfortable. Maybe it’s for the best that these days the tiara sits in a museum patiently waiting for visitors to admire it.

By the way, if you are in the mood to peruse through a jewelry collection and can’t get to the Victoria and Albert Museum, I highly recommend you view the collection online. There is a large collection of jewelry available with generous historical details.

Sources

Victoria and Albert Museum

Tiara Thursday: The Lotus Flower Tiara

You may recognize today’s tiara because it was worn at a 2015 state banquet by the Duchess of Cambridge! The Lotus Flower Tiara was a gift from Queen Mary to Queen Elizabeth (The Queen Mother). The Queen Mother later gave it to Princess Margaret, who loaned it to her daughter-in-law, Serena, to wear as her wedding diadem. Quite a historic tiara with so many outings!

Geoffrey Munn describes the tiara as “Egyptian inspired.” Indeed, the tiara is arranged in a line of diamond encrusted lotus flowers and arches. It’s studded with two pearls at its base and topped with a large natural pearl.

I am not sure of the ownership of this tiara, but since it was more recently seen on the Duchess of Cambridge I can only surmise that after the death of Princess Margaret it returned to Queen Elizabeth II.

I like that the tiara seems to be flexible. The Queen Mother wore it low across her forehead, as was the style. The Duchess of Cambridge wore it up higher. It’s wonderful when a tiara can be adjusted for a new era!

Here’s hoping to seeing this tiara again very soon!

Sources

Tiaras: A History of Splendour by Geoffrey C. Munn

The Manchester Tiara

© The Victoria and Albert Museum

Today’s tiara belonged to an American woman who married into the British aristocracy. The Manchester Tiara was made by Cartier in 1903 for Consuelo, Dowager Duchess of Manchester (1853-1909). 

The heart-shaped scrolls give this tiara a very romantic feel, don’t you think? It’s set with thousands of rose-cut diamonds, most of them supplied by the Dowager Duchess herself. Mr. Cartier, when planning the tiara’s design, asked his designers do draw inspiration from the 18th century ironworks of Paris and Versailles. This was a fitting design inspiration because Consuelo spent the early years of her life in Paris.

The Dowager Duchess of Manchester was born Miss Consuelo Yznaga in 1853 in New York City. She was one of four children born to Cuban-born millionaire Antonio Yznaga del Valle and his American-born wife Ellen Maria Clement of New Orleans.

Even though the Yznagas were wealthy, the family was met with suspicion by the upper echelons of American society. On top of being classified as nouveau riche (new money) by the established families, the Yznagas had “foreign lineage” which made them less desirable to socialize with. (To put things in perspective, the Astors were old money.)

Wikimedia Commons. Consuelo, painted by John Singer Sargent.

Nevertheless, Consuelo grew up happy and loved by her parents. Because the Yznagas were shunned by America’s top families, they spent most of their time in Paris where they received a very warm welcome by Empress Eugénie and her circle. After the fall of the Second Empire, the Yznagas relocated to London.

Consuelo became one of the first “Dollar Princesses” when she married George Victor Drogo Montagu, the future 8th Duke of Manchester. His family was initially not pleased with the match. They had never met the bride before the engagement and could not comprehend having an American daughter-in-law. They even tried to stop the wedding from happening. However, the family was won over by Consuelo and the wedding took place in 1876 in New York City.

Though it was not a happy marriage (both had extramarital affairs), Consuelo paved the way for other Americans to marry into aristocratic families.

The Manchester Tiara, with its heart-shaped motif, was a fitting choice for a sentimental American woman who forged a place for herself within British society. Today the tiara belongs to the Victoria and Albert Museum.

Sources

American Heiresses of the Gilded Age by Melissa Ziobro (The Great Courses)

The Victoria and Albert Museum

To Marry an English Lord by Gail MacColl and Carol McD. Wallace

Cartier’s Steel and Diamond Tiara

© Sotheby’s

Today’s tiara is rare and of an unusual design. The headpiece is made of blackened steel and bordered with circular-cut diamonds. The two scalloped edges and the bottom row’s diamond-encrusted palmettes manage to give the tiara a romantic feel, despite the black steel.

© Sotheby’s. An up-close look at the scalloped edge and the diamond palmettes.

Between 1912 and 1915, Parisian workshop Henri Picq made about five of these steel tiaras for Cartier. This particular tiara was bought in 1912 as a wedding gift for the seller’s grandmother. It has managed to stay with the same family until the seller sold it via Sotheby’s in 2015. It fetched the hefty sum of CHF 538,000.

I don’t have any information on the family, but the bride must have been quite the avant-garde fashionista to have embraced and kept such a unique tiara.

What do you say? Yay or nay?

Another viewing of the Vladimir Tiara

© Royal Collection Trust

We’ve looked at the Vladimir Tiara several times on the blog. Here is another photograph (dated 1887) of Grand Duchess Maria Pavlovna (also known as Grand Duchess Vladimir) wearing the Vladimir Tiara.

The Vladimir Tiara was sold to Queen Mary after Maria Pavlovna’s death in 1920. The Romanov jewel has been with the British Royal Family since 1921 and, at this time, is exclusively worn by Queen Elizabeth II.

The Russian Field Diadem

Christie’s

The Russian Field Diadem came to the world’s attention after it was featured in the sales catalogue of the Russian crown jewels. The tiara was created for Empress Maria Feodorovna in the early 19th century. It appears she may have been the only woman to have worn the diadem. The diadem, set in gold and silver, is centered around a large white sapphire and composed of six ears of rye encrusted in diamonds. There are 37 briolette diamonds dispersed throughout the diadem; other diamonds are brilliant and rose cut.

Maria Feodorovna, born Sophia Dorothea of Württemberg in 1759, was a niece of King Frederick the Great of Prussia, and the second wife of Paul I. Her mother-in-law was Catherine the Great. She was also the mother of Tsar Alexander I (if you remember your history lessons, Alexander I embarrassed Napoleon) and Tsar Nicholas I.

Maria Feodorovna painted by Vladimir Borovikovsky.

Maria Feodorovna led quite an eventful and full life after the death of Paul I. She acted as matriarch to her family and advisor to Alexander I. Whether her children were near or far she kept in contact with them, advised them as she saw fit and made sure her children were financially provided for. She appreciated and cultivated the arts within Russia. She was also a patron of charities; she even founded an institute of learning for children. Each successive empress took over her institute until its closure in 1917.

The Dowager Empress loved and appreciated her homes, the Russian countryside and her gardens. She was overjoyed whenever her beloved daughter, Anna Pavlovna, Princess of Orange and wife of the future William II of the Netherlands, sent her bulbs and plants for her gardens. Therefore, it makes sense that Maria Feodorovna would have commissioned a tiara with a motif that embodied the Russian fields. After her death in 1828 the diadem was sent to the Diamond Fund. It remained there until the revolution.

Wikimedia Commons. Inventory table of confiscated Romanov jewels.

Sadly, after its auction sale in 1927, the tiara disappeared. Perhaps we’ll see it again in a future auction. Though that may be doubtful as the last documented sale was the one by Christie’s in 1927. In an era when monarchies fell like dominos and stock markets crashed, wearing tiaras may not have seemed appropriate. It’s possible the seller pulled the tiara apart for its stones; perhaps even reconfigured it to wear as smaller, individual brooches. Only time may tell.

Sources

Chère Annette: Letters from Russia 1820 – 1828

Christie’s: The Jewellery Archies Revealed by Vincent Meylan

Jewels of the Romanovs: Family & Court by Stefano Papi

Russia’s Treasure of Diamonds and Precious Stones by Alexander Evgenevich Fersman